HANDMADE W. TAILOR MIRA AAMANN – Pilgrim

NEUHEIT: DIE INTENT-KOLLEKTION

HANDMADE
At the heart of everything we do is handmade. It’s about the time, care and craftsmanship that go into making something truly special. We’re celebrating every skilled hand and creative mind that brings ideas and authenticity to life with their handmade pieces.

Mira / Tailor
Meet Mira, a talented tailor who first picked up a needle and thread at just 15 years old and today creates her own textile wall hangings. For Mira, handmade is the heart of her work, meaning every piece is crafted with care and attention to detail. In Mira's hands, textiles become a canvas for expression, turning fabric into art.

Mira / Tailor
Meet Mira, a talented tailor who first picked up a needle and thread at just 15 years old and today creates her own textile wall hangings. For Mira, handmade is the heart of her work, meaning every piece is crafted with care and attention to detail. In Mira's hands, textiles become a canvas for expression, turning fabric into art.

How and when did you start sewing?
I began sewing clothes when I was 15 years old, back in 2015, at the home of a retired tailor I knew. Here, I learned the fundamental techniques of garment construction and sewing. This experience was incredibly rewarding and ignited my passion for textiles.

How and when did you start sewing?
I began sewing clothes when I was 15 years old, back in 2015, at the home of a retired tailor I knew. Here, I learned the fundamental techniques of garment construction and sewing. This experience was incredibly rewarding and ignited my passion for textiles.

How would you describe your style?
Two years ago, I embarked on creating my own textile wall hangings. The inspiration for these came during my time at the Textile School in Holte, where I started experimenting with quilting techniques. I was captivated by the three-dimensional surfaces that emerged from this method, which allowed me to explore the interplay of form, colour and texture, particularly through the use of contrasting colours.

How would you describe your style?
Two years ago, I embarked on creating my own textile wall hangings. The inspiration for these came during my time at the Textile School in Holte, where I started experimenting with quilting techniques. I was captivated by the three-dimensional surfaces that emerged from this method, which allowed me to explore the interplay of form, colour and texture, particularly through the use of contrasting colours.

Who or what is an important creative reference to you?
I draw immense inspiration from the female artist Sonia Delaunay. Her dynamic use of colour and geometry in her paintings influences my work, infusing it with a sense of vitality and movement.
Currently, I am in my second semester at the Royal Danish Academy of Fine Arts, studying Clothing and Textiles, where I continue to evolve my creative expression.

Who or what is an important creative reference to you?
I draw immense inspiration from the female artist Sonia Delaunay. Her dynamic use of colour and geometry in her paintings influences my work, infusing it with a sense of vitality and movement.
Currently, I am in my second semester at the Royal Danish Academy of Fine Arts, studying Clothing and Textiles, where I continue to evolve my creative expression.

Meet Birte, Pilgrim's very own goldsmith